This is the first of pair of small quilts I have made for a talk I am preparing about frugal quilts. It uses a bag of very narrow scraps that I bought for about a pound at The Festival of Quilts from – I think – the Cotton Patch stall. They are clearly the trimmings for kits they put together or from fat quarters as they are very narrow and cover a full range of Kaffe Fassett prints. This is why I couldn’t resist them, even though they are a bonkers buy. The widest strip is probably about 3/4 inch or 1 cm but a tiny strip of loveliness. The bag is stuffed with strips. I saw it while I was paying for something else and it just winked at me. And this was a chance to have a whole range of Kaffe Fassett prints at one time. I particularly love the Philip Jacobs prints, and use them a lot, and here was a chance to mix them up with the Kaffe Fassett collective designers.
I have made two quilts: one is entirely hand-stitched (above) and the other is machine-stitched. I started off hand-stitching the tiny strips together on a piece of cotton domette interlining, which is what I had to hand. I stitched them with Madeira lana thread, firstly because I like it and had a wide variety as a Christmas present, and secondly because it makes a good definite stitch.
I did a lot of straightforward quilting stitching but also added in some embroidery stitches for variety:
This approach was based a bit on Japanese boro textiles which I will describe in a future post. Briefly it is a textile technique in which pieces of indigo cloth are used to patch worn clothing. They are attached with lots of close running stitch. You can see my version of this in the above illustration. This is great stitching to do while watching the television or listening to the radio. The problem is what to do with it then. I remembered that ages ago I bought some Kaffe Fassett panels which I never used, and, amazingly, I managed to find them:
I finished the top with some Kaffe Fassett ribbon I had bought at the NEC with the scrap strips.
These ribbons are really gorgeous, but very expensive and so I only have half a metre at the most of any of them, which isn’t enough to do much with. It was enough to stretch across this little quilt. This one with geranium/pelargonium leaves picks up the Philip Jackson print below it. I have used these strips a lot because they feel like such a small investment. I think that can be important. The ribbons are an investment and need to handled with care and great respect. The cheap slicings off a bolt are much more expendable and so it is liberating to work with them.
As the grand finale to part one, of a two-part series, this is my beloved dog, Hedy, who is no respecter of textiles: