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Yet more recycled fabric

This is one of those pieces that I am making but have no idea why.  I am just really enjoying stitching together these tiny scraps leftover from the leftovers of leftovers.  I think after this I might finally have to throw the scraps away.  I think it has the spirit of boro: never wasting anything, and if there is a gap finding a piece of fabric to cover it and then stitching it down.

It is put together on curtain lining scraps with embroidery floss which is turning out to be my current favourite thread:

 

I don’t really know what to do with it.  I might cut it up and make it into another dog or a bird:

It will be quite big when it’s finished.

I think it’s a form of crazy patchwork although the wadding is already on the fabric which has been machine quilted.  It’s quite hard on the wrists, though.

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Boro blocks

Making stuff is great, and making samples just try out a technique is also satisfying, but there is often the question of what to do with them afterwards.  I was walking past a house in my neighbourhood which had a pile of oddments of bits of pine from some home improvement job.  They were left outside the house, and it is a custom in the area where I live that we leave stuff out that we are happy to give away.  Fortunately, I had a backpack and so I took them away because it struck me that they were just about the right size for my boro samples.

It was really strange quite how well they fitted together.  The boro is just the tiniest bit bigger in most cases.  The one with turquoise beads was cut to length but otherwise they just paired up.

I sanded the wood a bit and then was going to paint them with trendy Farrow and Ball colours, but I had a can of off-white chalk spray paint which I had bought to do up another street find, and I used that.  This really speeded up the process, and, because I gave them a light spray the blocks looked a bit like they have been limed.  Once they were dry I stuck the textile to the wood with a generous dollop of PVA glue.

This one is made with an off-cut from a  red and white quilt I trimmed with some hand-embroidered laisy daisy vine wandering between the two boro patches.

This is made from scraps of sari fabric, worked with perle cotton.

This is a combination I really like of blue and orange.  The orange beads are from a broken necklace from a charity shop.  The orange thread is perle crochet cotton which I dyed for my boro workshop.

I am not quite sure about this one as it is a little pouch.  I suppose it could be a money box

This is probably my favourite.  Lots of Tula Pink fabric and some turquoise beads.  I like the colour combination.

Grouped together I think they look particularly nice.  After the workshop, I will be putting them into my Etsy shop.

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Inspired by boro

This is not the best picture in the world, but it gives an idea of my latest boro-inspired experiment. I used a convenient pomeranian dog to prop it up against for the photograph and I don’t think it really worked.

This piece, which is about the size of an A4 piece of paper, is made from strips of silk, mainly slubbed dupion, which I tore ages ago to make a scarf.  I had made about a foot of the scarf before I realised it looks fantastic in the book but would look ridiculous on me.  So, I was left with a bag of bits, and, as regular readers will know, I can’t bear to throw anything away.  I found them recently when looking for something else of course.   I rather like them as a variation on the boro idea of making up a cloth using tiny scraps, and I particularly like the rich colours of the shot dupion:

The strips were hand sewn with perlé cotton onto a piece of linen from a charity shop skirt, and the whole thing was a delight to sew.

I am doing quit a bit of hand sewing at the moment as it is too hot for machining in my studio and the fan blows all my stuff about.  Plus, I am still learning how to use my behemoth of a new machine.  Watch this space, though, for when it cools down and I start to become more machine confident.

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Little Boro Bear and Big Boro Bear

I haven’t posted much recently because I am so busy trying to get my business ideas off the ground or preparing to give talks to groups.  I really don’t want this blog to turn into one of those thinly disguised sales pitches, so I am trying to avoid writing too much about upcoming events and workshops.  However, I have really loved making my boro-inspired pieces and wanted to share a bit of the work which is delighting me.

I have made a couple of boro bears, following on from the popularity of the boro dog.  I tend to make these stuffed toys in the same way.  I start by making a piece of fabric and then cut out the shapes.  Where possible I draw round a template and stitch and then cutting them out as this is much less fiddly than trying to machine stitch round little pieces.  Here, though I drew round my template with chunky felt tip pen and then cut inside the thick ink line.  I have used all sorts of things to mark with, but I get really irritated if I cannot see the fine pencil line I drew thirty seconds ago, and that is not good way to feel if you are stitching.  So, this was my big piece for the big bear in the photo:

There was plenty left over after cutting the bear out to make other things such as little brooches or key rings.  Then I sewed him together.  He is all hand stitched, whereas the little bear was the result of an experiment to see if I could do some approximation of boro on the sewing machine.

I added the red tassels on little bear’s ears and a bit of hand embroidery just to finish him off.  Big bear got a ruff:

If I were making them again, I think that I would make the body a bit longer and remember to slant the cut at the top of the arms so they point down more (little bear is better in this respect).

This is a leftover.  I like it because I think the blue crosses with the bit of yellow capture the spirit of boro a bit more than some of my work.

One thing that helped here, I think, was putting a layer of wadding on top of the cardboard template and under the face fabric before drawing up the thread around the cardboard.

Picture pinched from the internet

This is the easiest way I know to appliqué a circle, although I would need a considerably larger turning than the one shown in the photograph above.  I like the slightly raised and padded feel the addition of the wadding gives.  Another idea worth considering would be reverse appliqué as no bear’s face is slapped on top of its coat; it should come from underneath.  I might try this if I make another.

I was making a sample playing with the cross shape which is very common in boro, and found that it made a perfect-sized blanket for little bear:

 

 

 

 

 

 

 

 

 

 

 

Lots of fun just trying things out and experimenting.

 

 

 

 

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Red-eared Celtic dog

One of my morning rituals is to listen in In Our Time on Thursdays on BBC radio 4.  I start out full of optimism that I will understand the science-y ones, but really I prefer the history and culture subjects.  Last week it was about the collection of Welsh folk stories, The Mabinogion.  I knew a little bit about this, but not much, and I know a lot more now.  I recommend a visit to the podcast, as it was a brilliantly clear exposition of the the collecting and content of the stories, and made me want to read them.

The point of this preamble is that I learned from the programme that in Welsh mythology there is an Other World, Annwn, which is a sort of parallel world to this one.  In the Other World you lose your memories which only come back when you return to the everyday.  I discovered that there are very subtle signs that you are in Annwn which are a bit puzzling to the modern reader, but were well-known to the contemporary audience.  One of these sign is that dogs have red ears.  I couldn’t resist making one.

So here is my boro version with red ears:

I made the boro fabric up in a piece and the cut the dog out of it:

Boro is a Japanese technique for mending work garments, usually indigo dyed, and often with white thread.  My version is a very westernised version, and I love to make it because I like the way that it textures the fabric so well.

I couldn’t stop his head bending to one side which I think was a combination of my stuffing technique and the way the grain was running over so many fabrics in so many directions.  I think it gives him a bit of character, so I didn’t try to fix it.

One note is that I decided to use safety eyes rather than beads.  Went up to Hobbycraft to buy some and discovered that they only sell them in packs of 25.  Interesting challenge to find something to do with that spare eye.

Advance notice: there will be a boro workshop coming up at Pomegranate Studio very soon.